Friday, May 16, 2008
DAVID HOPE
A PICTURE Review
Lets talk about black this is the cover of David’s Album A Picture” the first thing that sprung to me was Mr. Cash … but when I pressed play on the stereo I could hear some fantastic roots music with hints of bluegrass style playing over Irish traditional music, the lyrics on this album have a very moving and heart touching soul to them, very well written and produced maybe David could be Irelands answer to our own Cash or even Dylan very relaxed and yet “A Picture” makes great listening right to the end of this 10 track thriller thumbs up David and What a superb album….
Review by T.Halpin
RANK: ****** 6 OUT OF 6
http://www.myspace.com/davidhope
Lets talk about black this is the cover of David’s Album A Picture” the first thing that sprung to me was Mr. Cash … but when I pressed play on the stereo I could hear some fantastic roots music with hints of bluegrass style playing over Irish traditional music, the lyrics on this album have a very moving and heart touching soul to them, very well written and produced maybe David could be Irelands answer to our own Cash or even Dylan very relaxed and yet “A Picture” makes great listening right to the end of this 10 track thriller thumbs up David and What a superb album….
Review by T.Halpin
RANK: ****** 6 OUT OF 6
http://www.myspace.com/davidhope
WHY
RED Review
Four piece Canadian rock band causing a stir in the independent scene with the release of their album Red, creating some harmonic pop and rock melodies on this 12 track album with many critics finding their sound like U2 but I will have to agree to a certain point I think they have a great sound more progressive than most bands in this genre with some fantastic vocals and catchy radio tunes, the lyrics have a real deep poetic touch to them very close to Inxs and Simple minds this is one group with the potential of becoming a force to be reckoned with in the music scene …superb stuff
Review by T.Halpin
RANK: ****** 6 out of 6
http://www.myspace.com/whyy
Four piece Canadian rock band causing a stir in the independent scene with the release of their album Red, creating some harmonic pop and rock melodies on this 12 track album with many critics finding their sound like U2 but I will have to agree to a certain point I think they have a great sound more progressive than most bands in this genre with some fantastic vocals and catchy radio tunes, the lyrics have a real deep poetic touch to them very close to Inxs and Simple minds this is one group with the potential of becoming a force to be reckoned with in the music scene …superb stuff
Review by T.Halpin
RANK: ****** 6 out of 6
http://www.myspace.com/whyy
BABYJENX
BABY JENX
ARTIST OF THE MONTH MAY 08
Live at The Cherry tree Walkinstown, Dublin 26th of April 08
Thrilling and epic two words to describe the performance on the night with top class grooves and excellent stage presence Baby Jenx pulled of a great gig, even thought The cherry tree room is a more intimate gig Baby Jenks gave you a much wider feel as if you were at a big stadium with full fat sound and a very tight set while playing some class tunes from there forthcoming debut album that will be released soon this year with some melodic grooves and superb vocals on board this is one act you need to get out and see.
review by T.Halpin
GIG RANK: ****** 6 out of 6
3 TRACK DEMO REVIEW
This four piece Dublin based band is on the scene since 2003, the demo contains three tracks of mesmerizing tunes with flawless melodic rhythm.
Exhale – A very soft but lifting tune, the vocals express the lyrics very well with some nice dynamics coming from this tune with moody tones and uplifting melodies this has the feel of indie rock with a splash of pop.
Sell yourself – There is a few elements to be heard from this tune, folk rock with a bit of southern American style feel, I would have liked to hear more from the cool melody used in the intro on the keys but it still sounds sweet and very clean cut tune.
Karman line – This tune has a nice flow in the rhythm it kicks in like an early Pink Floyd number but changes in a nice way with the vocals carrying the tune very well, the piano work sounds too much like a Cold play song this tune lacks a bit of originality but sounds great.
Review by T.Halpin
RATE: **** 4 OUT OF 6
you can check out this band at
www.myspace.com/babyjenksmusic
ARTIST OF THE MONTH MAY 08
Live at The Cherry tree Walkinstown, Dublin 26th of April 08
Thrilling and epic two words to describe the performance on the night with top class grooves and excellent stage presence Baby Jenx pulled of a great gig, even thought The cherry tree room is a more intimate gig Baby Jenks gave you a much wider feel as if you were at a big stadium with full fat sound and a very tight set while playing some class tunes from there forthcoming debut album that will be released soon this year with some melodic grooves and superb vocals on board this is one act you need to get out and see.
review by T.Halpin
GIG RANK: ****** 6 out of 6
3 TRACK DEMO REVIEW
This four piece Dublin based band is on the scene since 2003, the demo contains three tracks of mesmerizing tunes with flawless melodic rhythm.
Exhale – A very soft but lifting tune, the vocals express the lyrics very well with some nice dynamics coming from this tune with moody tones and uplifting melodies this has the feel of indie rock with a splash of pop.
Sell yourself – There is a few elements to be heard from this tune, folk rock with a bit of southern American style feel, I would have liked to hear more from the cool melody used in the intro on the keys but it still sounds sweet and very clean cut tune.
Karman line – This tune has a nice flow in the rhythm it kicks in like an early Pink Floyd number but changes in a nice way with the vocals carrying the tune very well, the piano work sounds too much like a Cold play song this tune lacks a bit of originality but sounds great.
Review by T.Halpin
RATE: **** 4 OUT OF 6
you can check out this band at
www.myspace.com/babyjenksmusic
Saturday, May 10, 2008
Saturday, March 29, 2008
Deceptikon
I can't remember the last time I compared a vocalist to Faith No More's, Mike Patton but Deceptikon's Gareth, the singer/guitarist with Leicester metal outfit Deceptikon is exactly that on their EP 'Dark Hour' which is a major plus in my book. The EP delivers some monster, crushing metal riffs on tracks like 'Dark Hour' and 'Cirkus' along with twin guitars and gut shaking bass. All good metal fare with t he spin of Gareth and his unique edged vocals over the top. As a metal fan I have to give the thumbs up to Deceptikon, especially as they're not getting dragged into the Trivium/Avenged Sevenfold style stereotypical formats and I desperately want to big them up some more, but in some parts they do tend to get a bit lost in their own songs. Between slabs of quality rock there is the odd fight between the great and the ragged. The double bass drum blasts losing time for example in 'Dark Hour' or how the bass guitar seems to be playing another song completely to the rest of the band during the lead solo (and the rather ill-advised, meandering middle 8) in 'Cold'.
However, overall Deceptikon deliver some massive, big-assed crunching riffs and some great ideas despite occassionally getting a bit adventurous and going ragged around the edges, but hopefully this should tighten up with some regular gigging maybe, I hope so. Bravely, Deceptikon describe themselves in their bio as "...one of Leicesters leading metal acts". I'm not going to argue with them, I don't know any of Leicester's metal acts, leading or otherwise, but with the tools that they have already and a set of pipes like Gareths, they're in with a reasonable shout.
Review by Drumhead
RANK: **** 4 out of 6
However, overall Deceptikon deliver some massive, big-assed crunching riffs and some great ideas despite occassionally getting a bit adventurous and going ragged around the edges, but hopefully this should tighten up with some regular gigging maybe, I hope so. Bravely, Deceptikon describe themselves in their bio as "...one of Leicesters leading metal acts". I'm not going to argue with them, I don't know any of Leicester's metal acts, leading or otherwise, but with the tools that they have already and a set of pipes like Gareths, they're in with a reasonable shout.
Review by Drumhead
RANK: **** 4 out of 6
Pavesi
Named after a dancehall in their home town of Donegal, Pavesi are a group of old mates who are having a second bloom in a band that were last together when at school (so clearly not callow youth...) but I have a real soft spot for that sort of, following your heart ethic. So, having come over all Seven Samurai, the guys have come up with a demo EP with three tracks. Now if you listen to the tracks blindly, you would might be forgiven for thinking that this was a young band on their first outing, the recordings sounding tentative an a little lacking in confidence and polish. But Pavesi's trump card is the really classy singing of the (superbly named) 'Duck Gallagher' which papers over any misgivings about I may have had about the often rudimentary backing. Making very pleasing-on-the-ear Eagles fronted by David Cassidy noises on 'Staring at the ground' to the more adventurous and almost Snow Patrol like 'Turnaround Year' where 'Duck' opens up a bit and displays some real quality and the chorus's become more anthemic.
If this was a band of young, wet-behind-the-ears teenagers I would be offering polite advice about them having room for improvement, having a good direction but to keep polishing up the playing and other educational stuff like that, but Pavesi aren't, they have got a good little sound going, and all I would say is; go enjoy yourselves gentlemen...
Review By Drumhead
RANK:*** 3 out of 6
If this was a band of young, wet-behind-the-ears teenagers I would be offering polite advice about them having room for improvement, having a good direction but to keep polishing up the playing and other educational stuff like that, but Pavesi aren't, they have got a good little sound going, and all I would say is; go enjoy yourselves gentlemen...
Review By Drumhead
RANK:*** 3 out of 6
The Eclectic
The Eclectic from Dublin have a lot of quality going on, from the state-of-the-art website (I know its only detail, but kudos for some great web design it has to be said) to the five gear laden musicians who have released a superbly recorded and produced EP called 'Breathe'.
Listing heavily towards the 'prog' edge of indie/heavy rock, The Eclectics have painstakingly crafted some fantastically well made songs. With layers, themes and carefully executed, expensive sounding production (loving the sampling on 'The Lobotomist'). Kevin O'Brien's vocals are self assured and in places silky smooth ('Scream') adding the gloss to the layers sounding every inch like Matt Bellamy (Muse). Each song sounds as if it has spent many months of rehearsal and studio time, and its paid off because the whole EP is lush. Rarely do I get unsigned bands presenting material as well finished and of as high quality as this.
Would I buy their EP? Damn right I would (and will) but on a tiny, cautionary note, while this is as good a slice of original, unsigned work as it gets the some stylings of similar bands such as Muse (Kevin is uncomfortably Bellamy-esque in parts) and Mogwai, that are very obvious but ultimately not debilitating. Forge their own path and the door is wide open for The Eclectics. Excellent stuff.
Review by Drumhead
RANK:****** 6 out of 6
Listing heavily towards the 'prog' edge of indie/heavy rock, The Eclectics have painstakingly crafted some fantastically well made songs. With layers, themes and carefully executed, expensive sounding production (loving the sampling on 'The Lobotomist'). Kevin O'Brien's vocals are self assured and in places silky smooth ('Scream') adding the gloss to the layers sounding every inch like Matt Bellamy (Muse). Each song sounds as if it has spent many months of rehearsal and studio time, and its paid off because the whole EP is lush. Rarely do I get unsigned bands presenting material as well finished and of as high quality as this.
Would I buy their EP? Damn right I would (and will) but on a tiny, cautionary note, while this is as good a slice of original, unsigned work as it gets the some stylings of similar bands such as Muse (Kevin is uncomfortably Bellamy-esque in parts) and Mogwai, that are very obvious but ultimately not debilitating. Forge their own path and the door is wide open for The Eclectics. Excellent stuff.
Review by Drumhead
RANK:****** 6 out of 6
Fusion Family
Fusion Family have provided me with an actual video of their single,{ http://www.youtube.com/watch?v=26VdND6ZKe0 } 'Smokers & Jokers' which, in itself makes for an excellent diversion for me, and any other interested parties as you can get a much better feel for a band in a video format. I would advise all upcoming bands to have a stab at it, even if it is just a 'Handycam', basic PC editing software and some of your mates in messing about in a local village hall, as seems to be the case in this video. Even basics such as these can raise your profile well above a basic demo (trust me I have personally witnessed literally hundreds of unlistened to CD's being tipped in a record company bin).
So, to the single 'Smokers & Jokers. A slightly stoned Arctic Monkeys meet The Ordinary Boys for a very non threatening, light and laddish, likeable cod-ska romp, extolling the virtues of, and supporting the legalisation of Cannabis. Now, I'm not here to theorise or point my moral compass at anyone, so I shall sit firmly on the fence on the subject matter! However what I *am* here to do is give my honest view on a bands product and prospects. I happen to know that Fusion Family are pretty decent guys and they have made a good tune, what is apparent however, is that they seem to have a little obsession going with their pet subject ('Smokers & Jokers' not being their only Ganja friendly homage). If your band are drawn together by a mutual interest, thats cool but unfortunately their tastes are not only liable to have their stated desire for record company interest as likely as interest in Jo Brand at a pole dancing audition, but it rather clearly makes their playing sound slightly 'baked' as well. Obviously, committed stoners will love the message but you have to remember, (and I have to point out) that if you want to get signed, as the band say they do, getting on your soapbox on a subject such as sponsoring grass, you will, whether you agree or not, be giving yourself an additional fence to negotiate in the great 'unsigned' steeplechase.
If and when the smoke clears a bit, a little more energy and sharpness would drive this band a lot further forward.
Review by Drumhead
RANK: *** 3 out of 6
So, to the single 'Smokers & Jokers. A slightly stoned Arctic Monkeys meet The Ordinary Boys for a very non threatening, light and laddish, likeable cod-ska romp, extolling the virtues of, and supporting the legalisation of Cannabis. Now, I'm not here to theorise or point my moral compass at anyone, so I shall sit firmly on the fence on the subject matter! However what I *am* here to do is give my honest view on a bands product and prospects. I happen to know that Fusion Family are pretty decent guys and they have made a good tune, what is apparent however, is that they seem to have a little obsession going with their pet subject ('Smokers & Jokers' not being their only Ganja friendly homage). If your band are drawn together by a mutual interest, thats cool but unfortunately their tastes are not only liable to have their stated desire for record company interest as likely as interest in Jo Brand at a pole dancing audition, but it rather clearly makes their playing sound slightly 'baked' as well. Obviously, committed stoners will love the message but you have to remember, (and I have to point out) that if you want to get signed, as the band say they do, getting on your soapbox on a subject such as sponsoring grass, you will, whether you agree or not, be giving yourself an additional fence to negotiate in the great 'unsigned' steeplechase.
If and when the smoke clears a bit, a little more energy and sharpness would drive this band a lot further forward.
Review by Drumhead
RANK: *** 3 out of 6
Bocs Social
--------------------------------------------------------------------------------
Bocs Social
Despite a pretty tongue-in-cheek. 'we're-a-bit-crap-we-are' bio, Bocs Social (no, I don't know why they're called that either) from Wicklow, flatter to deceive. Sure they won't be doing any 20 minute solos or prog-rock style concept albums anytime soon, but they're good at what they do, and, in their cheeky way they're not half bad despite the shoe-string production. The song I've slipped on is 'Whoa' which is a fantastic little ska-lite, indie sing-a-long that makes you think of The Futureheads (or early Police if your old enough to know) and the chorus of...well.. "wo oh, wo oh oh oh oh" will be sticking to you like blind stupidity to a Big Brother contestant. I am well taken with Boca's warm humour and bouncy pop. Don't go all Muse on me now lads. More of the same please.
Review by Drumhead
RANK: **** 4 out of 6
Bocs Social
Despite a pretty tongue-in-cheek. 'we're-a-bit-crap-we-are' bio, Bocs Social (no, I don't know why they're called that either) from Wicklow, flatter to deceive. Sure they won't be doing any 20 minute solos or prog-rock style concept albums anytime soon, but they're good at what they do, and, in their cheeky way they're not half bad despite the shoe-string production. The song I've slipped on is 'Whoa' which is a fantastic little ska-lite, indie sing-a-long that makes you think of The Futureheads (or early Police if your old enough to know) and the chorus of...well.. "wo oh, wo oh oh oh oh" will be sticking to you like blind stupidity to a Big Brother contestant. I am well taken with Boca's warm humour and bouncy pop. Don't go all Muse on me now lads. More of the same please.
Review by Drumhead
RANK: **** 4 out of 6
Wednesday, March 19, 2008
SUDDYN : LETTING GO REVIEW
Suddyn have landed an epic tune with "Letting Go" after the chart success of "Gravity" this is one band on a fantastic writing streak "Letting Go" has a soft rock melodic groove with some excellent lyrics and anthem feel chorus that would shake the airwaves of todays radio, so grab the love of your life and slow set to this song.....
Review by T.Halpin
RANK: ****** 6 out of 6
www.myspace.com/suddyn
Review by T.Halpin
RANK: ****** 6 out of 6
www.myspace.com/suddyn
Tuesday, March 18, 2008
Chris J Keys review
The advent of the internet has provided the opportunity for a solo artist like Chris Keys from Northern Ireland to record an album of his own material ('Blistered Eyes') and release it to the whole world. There is always the possibility that such unrestricted access to the public could produce for an inferior product, but not a bit of it in Chris's case. His guitar based songs soar with effortless strength and a relaxed warmth. Chris's voice has a spring in its step and an unashamed freedom which radiates a joy in what he does. I'm sure that there are a number of comparisons to other singers that can be made but I got traces of Paddy McAloon, especially on 'Fix It' or when there's a band behind him on the catchy 'Road Trip' or 'Reliving' the sound really opens up to some great little rock tunes.
All in all, with Chris's hint of a Northern Irish accent and bouncy, driving music provides a definite modern American, West coast feel to the album, it feels right, upbeat and is superbly played and made. I wish him every success
Review by Drumhead
RANK:***** 5 out of 6
www.myspace.com/chrisjkeys
All in all, with Chris's hint of a Northern Irish accent and bouncy, driving music provides a definite modern American, West coast feel to the album, it feels right, upbeat and is superbly played and made. I wish him every success
Review by Drumhead
RANK:***** 5 out of 6
www.myspace.com/chrisjkeys
THE FARSTAR REVIEW
The Farstar hail from Texas and its only the slight give-away hint of an accent in Shannon Barrett's vocals that would give you that clue, sounding as they do, like a very British indie band. You can close your eyes through tracks like "Astronauts" and hear The Cure jamming with Editors or Michael Stipe fronting Elbow. Farstar have definitely crafted their sound down to a fine art, their post modern indie sound is mournful but not depressingly bleak, it has subtle layers of guitar and piano and enough clever production tricks to give the songs warmth and texture, without making them overblown or to try-hard. Shannons vocals are often fragile and passionate which is de rigeur for all good indie singers at the moment, but it doesn't sound contrived as it has the character and charm to enhance and lift all of the songs. Even the (slight) over-use of regularly repeated U2 influenced guitar lines or the ubiquitous overblown bio don't grate sufficiently to detract from the fact that these are well played, atmospheric and anthemic songs. True enough, the songs don't change in pace from one melancholic slow march to the next but they are genuinely indidual and strong enough pieces of songwriting to withstand that kind of scrutiny. From the uplifting 'There's a light in your eyes' to the excellent "cash only" via the REM-at-their-best "Getaway Face" I would strongly recommend a listen.
I would imagine that The Farstar are a rare beast in The States playing their particular brand of Snowpatrol-esque, Brit -Indie and while they must have a fairly small amount of competition there, they'd definitely be a bit more part of the herd in the UK. Which, is where they should try and come and play if they wanted to get a decent hearing. They look and definitely sound the definite article.
Strong songs well made
Review by Drumhead
RANK:***** 5 out of 6
www.myspace.com/farstar
I would imagine that The Farstar are a rare beast in The States playing their particular brand of Snowpatrol-esque, Brit -Indie and while they must have a fairly small amount of competition there, they'd definitely be a bit more part of the herd in the UK. Which, is where they should try and come and play if they wanted to get a decent hearing. They look and definitely sound the definite article.
Strong songs well made
Review by Drumhead
RANK:***** 5 out of 6
www.myspace.com/farstar
The Random Nouns review
The Random Nouns are a bit duplicitous. You look at their Myspace page and there are such large dollops of casual humour and self deprication in their jottings that could be lulled into a false sense of light-hearted security. The Random Nouns music is very much, hot on the heels of the darker, mournful and more melancholy indie artists such as Richard Hawley, Nick Cave or Tom Waites. The songs are, on the one hand light and ethereal but also dark and moody in equal measure. Most songs are minimal but adequately supported by backing, usually strings and strummed guitar, to give a haunting open-space, minimalist feel. The vocals sit somewhere between the aforementioned Mr Hawley and Mr Morrisey in style and despite their best efforts (a horrible fret buzz on 'Sad but true' a few vocal flattening issues in some songs) TRN pull it off with some beguiling and hypnotic qualities which, for the life of me insists on making me listen to all the tracks all the way through.
So if you like the feel that melancholy, delicate and haunting tracks bring, The Random Nouns are your band. Of the future? Well currently if you've heard 'Valentine' by Richard Hawley, you've heard most of The Random Nouns' work (right down to the string accompaniment). But hey, there is plenty of room for more songs of that sort of quality. A bit of polishing on the finer details and a little less Hawley homage and you will have some mighty fine tunes coming through...
Review by Drumhead
RANK: **** 4 out of 6
www.myspace.com/garretbaker
So if you like the feel that melancholy, delicate and haunting tracks bring, The Random Nouns are your band. Of the future? Well currently if you've heard 'Valentine' by Richard Hawley, you've heard most of The Random Nouns' work (right down to the string accompaniment). But hey, there is plenty of room for more songs of that sort of quality. A bit of polishing on the finer details and a little less Hawley homage and you will have some mighty fine tunes coming through...
Review by Drumhead
RANK: **** 4 out of 6
www.myspace.com/garretbaker
RIOT POLICE REVIEW
I've said it before and I'll say it again, the name of a band doesn't necessarily effect their chances of success or failure (with a few notable exceptions). I liked the name 'Riot Police' when it slid across my screen and I though 'ooh some strident punk or perhaps a bit of industrial metal' but no, unfortunately for me, Riot Police from Kildare bare little resemblance to their rather hard-edged moniker.
This three piece offer some of the politest, saccharine, jingly pop songs heard outside of a church knees up. Not that this makes them a lesser band in anyway or the songs aren't pleasant enough, but for my tastes it sits on the rather wrong side of 'nice'. From the uber-clean twinkly guitar sound, to the recorded-in-one-take freshness and sing-a-long, REM-lite vocals. The songs are the brain-child of singer/guitarist Ross MacMahon and, hand-on-heart are all pretty well written. Ross and co. who obviously have the right stuff about them (although, unaccustomed as I am to commenting on other peoples reviews, I think that the quote on Riot Police's Myspace bio from Emma at The Voice magazine, was having a pretty surreal day when she gushingly compared Ross's vocals to Editors frontman Tom Smith) but it lacks in any sort of real energy or drive . Highlight of the songs on offer on Myspace is the more melancholic 'Lake' where things veer slightly more towards the darker side and shows Ross in his best light.
Maybe, with a bit of dirt rubbed in and some rock n roll magic dust sprinkled over them, Riot Police could grow into their name, otherwise the name and style are unlikely to really reflect each other in any way. Currently though, some nice ideas, perhaps which, with a bit of repackaging and working out, could grow into something stronger.
Review by Drumhead
RANK: *** 3 out of 6
www.myspace.com/riotpolicemusic
This three piece offer some of the politest, saccharine, jingly pop songs heard outside of a church knees up. Not that this makes them a lesser band in anyway or the songs aren't pleasant enough, but for my tastes it sits on the rather wrong side of 'nice'. From the uber-clean twinkly guitar sound, to the recorded-in-one-take freshness and sing-a-long, REM-lite vocals. The songs are the brain-child of singer/guitarist Ross MacMahon and, hand-on-heart are all pretty well written. Ross and co. who obviously have the right stuff about them (although, unaccustomed as I am to commenting on other peoples reviews, I think that the quote on Riot Police's Myspace bio from Emma at The Voice magazine, was having a pretty surreal day when she gushingly compared Ross's vocals to Editors frontman Tom Smith) but it lacks in any sort of real energy or drive . Highlight of the songs on offer on Myspace is the more melancholic 'Lake' where things veer slightly more towards the darker side and shows Ross in his best light.
Maybe, with a bit of dirt rubbed in and some rock n roll magic dust sprinkled over them, Riot Police could grow into their name, otherwise the name and style are unlikely to really reflect each other in any way. Currently though, some nice ideas, perhaps which, with a bit of repackaging and working out, could grow into something stronger.
Review by Drumhead
RANK: *** 3 out of 6
www.myspace.com/riotpolicemusic
Tuesday, March 11, 2008
THE FIRST USB ALBUM..
downloadmusic.ie are putting together a fantastic album on USB if your band wants to take part in this read more at this link
http://www.downloadmusic.ie/wordpress/2008/02/23/compilation-album-update/
we would like to thank Downloadmusic.ie for having us on there panel of judges,
Alison Curtis - Today FM
Noel Taylor
Aoife Lanigan - Good Seed PR
Elvera Butler - Reekus Records
Jennie McCullough - Brused Fruit Promotions
Edison Waters - Vibe Music Management
Ron Healy - Irish Unsigned
Ray Foley - Today FM
Ken McGuire - Kilkenny Music
Rick O'Shea - 2FM
Roddy Cleere - WLRFM
Julie Feeney - Irish composer, singer and songwriter
Trev - MusicReview.com
Francie Conway - Ballyfermot College
http://www.downloadmusic.ie/wordpress/2008/02/23/compilation-album-update/
we would like to thank Downloadmusic.ie for having us on there panel of judges,
Alison Curtis - Today FM
Noel Taylor
Aoife Lanigan - Good Seed PR
Elvera Butler - Reekus Records
Jennie McCullough - Brused Fruit Promotions
Edison Waters - Vibe Music Management
Ron Healy - Irish Unsigned
Ray Foley - Today FM
Ken McGuire - Kilkenny Music
Rick O'Shea - 2FM
Roddy Cleere - WLRFM
Julie Feeney - Irish composer, singer and songwriter
Trev - MusicReview.com
Francie Conway - Ballyfermot College
Monday, March 10, 2008
ODi
ODi
'What You Deserve'
REVIEW
Odi (short for Claire Odium fact finders) is an ex-pat Irish girl now based in the UK. She is a singer/songwriter who manages to blend elements of Joan Armatrading's pathos, Beth Orton's eye for the quirky and deep with a touch of Dido's bedsit romance. She has released a new single, 'What You Deserve' a slow, soulful slice of folk/indie cross-over. Odi has a distinctive raw and in equal measure, fragile voice that is magnetic and immensely listenable. The single reminds me of 'Love and Affection' by the aforementioned Joan Armatrading and oozes warmth and intimacy. All this talent and good looks too - so why isn't she signed? Well with the raft of gigs coming up in the UK and Ireland and the quality of the single, you'd think it wasn't far off.
Review by Drumhead
Rank: ***** 5 out of 6
'What You Deserve'
REVIEW
Odi (short for Claire Odium fact finders) is an ex-pat Irish girl now based in the UK. She is a singer/songwriter who manages to blend elements of Joan Armatrading's pathos, Beth Orton's eye for the quirky and deep with a touch of Dido's bedsit romance. She has released a new single, 'What You Deserve' a slow, soulful slice of folk/indie cross-over. Odi has a distinctive raw and in equal measure, fragile voice that is magnetic and immensely listenable. The single reminds me of 'Love and Affection' by the aforementioned Joan Armatrading and oozes warmth and intimacy. All this talent and good looks too - so why isn't she signed? Well with the raft of gigs coming up in the UK and Ireland and the quality of the single, you'd think it wasn't far off.
Review by Drumhead
Rank: ***** 5 out of 6
THE TRIPPS
THE TRIPPS
If your mate told you they were off to see a band called The Tripps, what would you think? An acid soaked, trippy style 60's influenced indie band. Oasis meets The Charlatans maybe? Well yes, The Tripps do exactly what it says on the tin.
The first track 'In the clouds' is definitely a 60's influenced song with a promising start despite lots of references to clouds, lollipops and berries plus a tinkly keyboard hookline and some great sounding (possibly sampled)drums. From there on in, the songs are trashed by some quite woefully off key vocals and backing vocals. Surely, I thought, just a demo or a one off aberration, so on to 'Sailing on a gun' an Oasis flavoured tune that also kicks off with some promise until those vocals come back to haunt again... a quarter note flat to the melody and also to each other throughout - then the guitar gets in on the tuning act, oh dear.
The track 'Pure Mind' again starts with enterprise, rock solid and crisp drums, twangy guitar hook then...bugger, some more flat vocals by which time I'm looking for the 'Esc' button. But what of the live version of Pure Mind (also available on Myspace) - maybe there's still hope? Well, the seperation of a decent backing tune to those infuriatingly off vocals are faithfully recreated. Surely somebody must have noticed this before? Thinking it was my ears I have invited listens from those around me who, I'm affraid to say have also cringed at the offending singing so its not just me.
The Tripps? A good idea, still-born by the basic flaw of singing really badly. Sorry but someone has to say it.
Review by Drumhead
RANK: 1 out of 6
you can check out this band at
www.myspace.com/davenolandm
If your mate told you they were off to see a band called The Tripps, what would you think? An acid soaked, trippy style 60's influenced indie band. Oasis meets The Charlatans maybe? Well yes, The Tripps do exactly what it says on the tin.
The first track 'In the clouds' is definitely a 60's influenced song with a promising start despite lots of references to clouds, lollipops and berries plus a tinkly keyboard hookline and some great sounding (possibly sampled)drums. From there on in, the songs are trashed by some quite woefully off key vocals and backing vocals. Surely, I thought, just a demo or a one off aberration, so on to 'Sailing on a gun' an Oasis flavoured tune that also kicks off with some promise until those vocals come back to haunt again... a quarter note flat to the melody and also to each other throughout - then the guitar gets in on the tuning act, oh dear.
The track 'Pure Mind' again starts with enterprise, rock solid and crisp drums, twangy guitar hook then...bugger, some more flat vocals by which time I'm looking for the 'Esc' button. But what of the live version of Pure Mind (also available on Myspace) - maybe there's still hope? Well, the seperation of a decent backing tune to those infuriatingly off vocals are faithfully recreated. Surely somebody must have noticed this before? Thinking it was my ears I have invited listens from those around me who, I'm affraid to say have also cringed at the offending singing so its not just me.
The Tripps? A good idea, still-born by the basic flaw of singing really badly. Sorry but someone has to say it.
Review by Drumhead
RANK: 1 out of 6
you can check out this band at
www.myspace.com/davenolandm
THE DAMBUSKERS
THE DAMBUSKERS
Traditional folk music (thats 'traditional' as in guitars, fiddles and bodhrans et al) gets a bad rep from large sections of the uneducated public. With preconceptions of deeply earnest beard wearers in baggy jumpers chuffing on about 'hey nonnies' and such like with a well placed finger in the ear and a real ale in hand. Such a casual disrespect would undervalue centuries of real 'peoples music' that has filtered down the ages since Saxon times. It would also be ignorance to be unaware that folk music, both traditional and modern is one of the fastest growing (or I should say resurgent) genres of this decade with Radio 2 heavily spreading the gospel and artists and festivals popping up like a rash all over the UK and Ireland.
So in stride The Dambuskers from North Devon ( I will try and resist the temptation to use an 'ooh arr' at this point....oh bugger) who I suppose would best be described as the heavy rock of traditional folk. They play upbeat, bounce along, in your face folk with a capital 'F'. No apologetic froth & bubble minstrels these. Sure there's fiddles and bodhrans, but the songs are invariably about drinking, fighting and f... ahem...fair maidens and there's definitely an absence of holed knitwear or shaggy beards dunking in tankards of 'Bishops Gusset'. On their Myspace you have a selection live tracks which is probably one of the best environments to appreciate this band. You can almost smell the beer and feel the footstomping in the room marshalled by their very own Lemmy, Steve Ruffe. With songs like 'Drink down the moon' and 'Whiskey in the jar' (yes, that one) and the bouncing 'I'll tell me ma" you will get good fun, rollocking trad folk played with gusto and verve. Its infectious, steeped in history and for my money should be encouraged out of the West country pubs and more into the mainstream to show some of the home recording, laptop & songwriting software geeks what they're missing, and where they come from.
Review by Drumhead
RANK: ***** 5 out of 6
www.myspace.com/thedambuskers
Traditional folk music (thats 'traditional' as in guitars, fiddles and bodhrans et al) gets a bad rep from large sections of the uneducated public. With preconceptions of deeply earnest beard wearers in baggy jumpers chuffing on about 'hey nonnies' and such like with a well placed finger in the ear and a real ale in hand. Such a casual disrespect would undervalue centuries of real 'peoples music' that has filtered down the ages since Saxon times. It would also be ignorance to be unaware that folk music, both traditional and modern is one of the fastest growing (or I should say resurgent) genres of this decade with Radio 2 heavily spreading the gospel and artists and festivals popping up like a rash all over the UK and Ireland.
So in stride The Dambuskers from North Devon ( I will try and resist the temptation to use an 'ooh arr' at this point....oh bugger) who I suppose would best be described as the heavy rock of traditional folk. They play upbeat, bounce along, in your face folk with a capital 'F'. No apologetic froth & bubble minstrels these. Sure there's fiddles and bodhrans, but the songs are invariably about drinking, fighting and f... ahem...fair maidens and there's definitely an absence of holed knitwear or shaggy beards dunking in tankards of 'Bishops Gusset'. On their Myspace you have a selection live tracks which is probably one of the best environments to appreciate this band. You can almost smell the beer and feel the footstomping in the room marshalled by their very own Lemmy, Steve Ruffe. With songs like 'Drink down the moon' and 'Whiskey in the jar' (yes, that one) and the bouncing 'I'll tell me ma" you will get good fun, rollocking trad folk played with gusto and verve. Its infectious, steeped in history and for my money should be encouraged out of the West country pubs and more into the mainstream to show some of the home recording, laptop & songwriting software geeks what they're missing, and where they come from.
Review by Drumhead
RANK: ***** 5 out of 6
www.myspace.com/thedambuskers
THE KOSMOS
THE KOSMOS
The Kosmos are definitely trying to capture a specific sound. In the last 10 years or so there has been a wave of fashionistas who are generally urban based indie bands harking back to The Verve and latterly Richard Ashcroft, followed by bands like The Libertines, The Charlatans and and on through Babyshambles, The Zutons, The Magic Numbers and others where the notion of polished songwriting and high gloss production was replaced in favour of a more eclectic, earthy, unpolished almost 'anti production' sound, harking back to days of The Stooges and The Kinks era of of 'independance'. Sometimes its worked spectacularly well (Richard Ashcroft is without doubt an iconic songwriter who's stark poetic songs need little polishing) and in others its been a dubious battle of style over substance (Pete Doherty).
The Kosmos style finds themselves somewhere between all of these influences and it can be a bit hit and miss in quality. Clearly led from the front by singer Andrew Crayford who, from listening to the the songwriting and seeing his look is unmistakably influenced by the afore-mentioned Mr Ashcroft. From the 60's stylings and jangly indie guitar combo of the Sgt Pepper-esque 'Silent body language' to the Charlatan feel of 'Come down' to his own nod in the direction of Bitter Sweet Symphony in 'Save me' or the best of the bunch 'Evelyn', which strips back the previously rather ragged band to a much more palatable and haunting solo ballad that is head and shoulders above the rest of whats on offer.
"There are definitely some notable highs and lows in quality of The Kosmos offerings and when they fully discovers their own style and polishe up the music production they will be a very creditable band"
Review by Drumhead
RANK: **** 4 out of 6
www.myspace.com/kosmos7
The Kosmos are definitely trying to capture a specific sound. In the last 10 years or so there has been a wave of fashionistas who are generally urban based indie bands harking back to The Verve and latterly Richard Ashcroft, followed by bands like The Libertines, The Charlatans and and on through Babyshambles, The Zutons, The Magic Numbers and others where the notion of polished songwriting and high gloss production was replaced in favour of a more eclectic, earthy, unpolished almost 'anti production' sound, harking back to days of The Stooges and The Kinks era of of 'independance'. Sometimes its worked spectacularly well (Richard Ashcroft is without doubt an iconic songwriter who's stark poetic songs need little polishing) and in others its been a dubious battle of style over substance (Pete Doherty).
The Kosmos style finds themselves somewhere between all of these influences and it can be a bit hit and miss in quality. Clearly led from the front by singer Andrew Crayford who, from listening to the the songwriting and seeing his look is unmistakably influenced by the afore-mentioned Mr Ashcroft. From the 60's stylings and jangly indie guitar combo of the Sgt Pepper-esque 'Silent body language' to the Charlatan feel of 'Come down' to his own nod in the direction of Bitter Sweet Symphony in 'Save me' or the best of the bunch 'Evelyn', which strips back the previously rather ragged band to a much more palatable and haunting solo ballad that is head and shoulders above the rest of whats on offer.
"There are definitely some notable highs and lows in quality of The Kosmos offerings and when they fully discovers their own style and polishe up the music production they will be a very creditable band"
Review by Drumhead
RANK: **** 4 out of 6
www.myspace.com/kosmos7
THE DOLLDRUMS
THE DOLLDRUMS
As most bands upcoming on the scene in Ireland at the moment The Dolldrums give an edge to indie rock music as they like to call it but im hearing more of popped up punk melodies with a grunge flavor.... in a good way... this is one band that has created cunning and catchy tunes and have then down to a tee, with this 3 track stunner Ep with tunes like "Magic Car" pissed up popped punk with spilling in your face lyrics and a melody to get your body moving, this tune has some great potential across the media board. "Sarcastic Swipes" OK The Dolldrums express the indie feel in this tune with chorus and melody but lacks the kick that needs to be giving to the tune, if this is the anthem tune its too short but would be more of a live song than an Ep filler. "Ballad of a wheeler dealer" This is more of a different side to this band they still hold the great melodic approach but give more on the vocal and backing vocal, for one minute I could hear The Beatles maybe that is the indie influence in the band but this is not a bad tune by far.. it could be what they call a sneaker... maybe? but watch out for it, excellent stuff from The Dolldrums this Ep really impressed me this one goes in the collection big time.
Review by T.Halpin
RANK: ****** 6 out of 6
http://www.myspace.com/thedolldrums
As most bands upcoming on the scene in Ireland at the moment The Dolldrums give an edge to indie rock music as they like to call it but im hearing more of popped up punk melodies with a grunge flavor.... in a good way... this is one band that has created cunning and catchy tunes and have then down to a tee, with this 3 track stunner Ep with tunes like "Magic Car" pissed up popped punk with spilling in your face lyrics and a melody to get your body moving, this tune has some great potential across the media board. "Sarcastic Swipes" OK The Dolldrums express the indie feel in this tune with chorus and melody but lacks the kick that needs to be giving to the tune, if this is the anthem tune its too short but would be more of a live song than an Ep filler. "Ballad of a wheeler dealer" This is more of a different side to this band they still hold the great melodic approach but give more on the vocal and backing vocal, for one minute I could hear The Beatles maybe that is the indie influence in the band but this is not a bad tune by far.. it could be what they call a sneaker... maybe? but watch out for it, excellent stuff from The Dolldrums this Ep really impressed me this one goes in the collection big time.
Review by T.Halpin
RANK: ****** 6 out of 6
http://www.myspace.com/thedolldrums
SOMA STATE
SOMA STATE
My roots are from a classic rock background, so Wexfords' Soma State are up my particular alley. They play some particularly pleasing (on the neck muscles) kick ass rock choons that find themselves somewhere around the Audioslave, Pearl Jam or a non rapping RATM vibe. What I like particulalry is the willingness to mix up some new metal and classic rock ideas and influences rather than resort to cliche or aping those that have gone before, making their own stamp. The latest track, 'Lies', is tight and muscular and riffs along with a carefully balanced mix of power and aggression. Other tracks (available on their Myspace) are more upbeat and looser, such as 'Mistake' and 'Lose Myself' which bang along with some considerable authority and energy, headed up by the belting, if rather buried vocals of Mark O'Connor who carries himself with the quality of a more seasoned rock frontman - a fine set of pipes fella!
On a technical point, the tracks on offer are all top drawer but pretty well dominated by the volume of the bass guitar which (especially in 'Lies') as highly competent a bassist that Conor is, its too much. Its almost overshadowing the excellent work going on around it. When the bass is louder than a great singer like Mark - its time to pull that slider down on the desk a bit! Its just a mix thing.
In the world of "guitar rock", the term 'heavy metal' has been hijacked by the Kerrang & Metal Hammer crowd for their own purposes or there's those nice young emo boys... therefore leaving a huge void amongst those of us who don't actually want to wear eyeliner or have machine-gun bass drums banging off your skull. Soma State have retaken that middle ground with some aplomb and have injected some freshness and new ideas to make heavy rock original and viable again. More please
Review by Drumhead
RANK: ***** 5 out of 6
www.myspace.com/somastate
My roots are from a classic rock background, so Wexfords' Soma State are up my particular alley. They play some particularly pleasing (on the neck muscles) kick ass rock choons that find themselves somewhere around the Audioslave, Pearl Jam or a non rapping RATM vibe. What I like particulalry is the willingness to mix up some new metal and classic rock ideas and influences rather than resort to cliche or aping those that have gone before, making their own stamp. The latest track, 'Lies', is tight and muscular and riffs along with a carefully balanced mix of power and aggression. Other tracks (available on their Myspace) are more upbeat and looser, such as 'Mistake' and 'Lose Myself' which bang along with some considerable authority and energy, headed up by the belting, if rather buried vocals of Mark O'Connor who carries himself with the quality of a more seasoned rock frontman - a fine set of pipes fella!
On a technical point, the tracks on offer are all top drawer but pretty well dominated by the volume of the bass guitar which (especially in 'Lies') as highly competent a bassist that Conor is, its too much. Its almost overshadowing the excellent work going on around it. When the bass is louder than a great singer like Mark - its time to pull that slider down on the desk a bit! Its just a mix thing.
In the world of "guitar rock", the term 'heavy metal' has been hijacked by the Kerrang & Metal Hammer crowd for their own purposes or there's those nice young emo boys... therefore leaving a huge void amongst those of us who don't actually want to wear eyeliner or have machine-gun bass drums banging off your skull. Soma State have retaken that middle ground with some aplomb and have injected some freshness and new ideas to make heavy rock original and viable again. More please
Review by Drumhead
RANK: ***** 5 out of 6
www.myspace.com/somastate
ARM THE ELDERY
Arm The Elderly
Oooh, so many 'plus points' to talk about with Arm The Elderly. From the rather fantastic name to the uber-cool, post punk graphics that litter their site and posters.
If you lifted Rage Against The Machine out of the States and dropped them into Cork City. Throw in some traces of The Misfits, The Used, Rancid or maybe even early Therapy you may get close to where they're coming from. There are raucous but the very controlled aggression of vocals which successfully switch between a 'Rage' style rap to post punk singing to the trashy-but- very tight instrumentation. Throw in politically and socially sussed, articulate lyrics (especially on 'Catwalk Revolution' or 'The Desired Effect' ) with some cleverly arranged songs all done with an apparent passion for their subjects, you have a post modern punk rock, expertly executed and maintaining a the highest of standards.
In these days of record companies completely dictating styles of music and genres into neat little 'demographic boxes' ATE stretch the boundaries out a bit and open the mind as well as the ear in much the same way the RATM did back in the day. If you like your bands a bit more obvious and sitting in a nice polite space in HMV, it may not be for you, but I will definitely be looking out for ATE's debut album thats apparently in the pipeline, as every now and again a band pops up who successfully combine all the elements to produce something new and special. For my money Arm The Elderly have great qualities and even greater potential in spades. Excellent.
Review by Drumhead
RANK:****** 6 out of 6
www.myspace.com/armtheelderly
Oooh, so many 'plus points' to talk about with Arm The Elderly. From the rather fantastic name to the uber-cool, post punk graphics that litter their site and posters.
If you lifted Rage Against The Machine out of the States and dropped them into Cork City. Throw in some traces of The Misfits, The Used, Rancid or maybe even early Therapy you may get close to where they're coming from. There are raucous but the very controlled aggression of vocals which successfully switch between a 'Rage' style rap to post punk singing to the trashy-but- very tight instrumentation. Throw in politically and socially sussed, articulate lyrics (especially on 'Catwalk Revolution' or 'The Desired Effect' ) with some cleverly arranged songs all done with an apparent passion for their subjects, you have a post modern punk rock, expertly executed and maintaining a the highest of standards.
In these days of record companies completely dictating styles of music and genres into neat little 'demographic boxes' ATE stretch the boundaries out a bit and open the mind as well as the ear in much the same way the RATM did back in the day. If you like your bands a bit more obvious and sitting in a nice polite space in HMV, it may not be for you, but I will definitely be looking out for ATE's debut album thats apparently in the pipeline, as every now and again a band pops up who successfully combine all the elements to produce something new and special. For my money Arm The Elderly have great qualities and even greater potential in spades. Excellent.
Review by Drumhead
RANK:****** 6 out of 6
www.myspace.com/armtheelderly
Subscribe to:
Posts (Atom)
